Are We Merely Players? Part 2 by Jan Engels-Smith
I am continuing a thread of information that was given to me from the spirits about living in our True Self and not in the illusion of our projected self. The scenario the spirits originally presented to me was in a journey where I saw many non-physical, intergalactic beings present as the audience in a large theater. The theater was massive and these non-human beings arrayed among balconies and tiers and on the floor of the theater. They gathered to observe human performers acting their parts in the drama of life.
I came to understand that these beings found us humans assuming roles of our imagined illusionary selves, playing the parts we thought others had expected of us or acting out imaginary protagonists that we defined as ourselves. The nonphysical beings seemed fascinated and even amused by the efforts of humans to become something other than their true selves. Much as we view actors on the big screen critiquing roles as academy award winning performances, knowing full well these performances aren’t the true nature of the actors. These intergalactic beings understood that humans were blurring the lines between their real selves and these imagined characters and thereby losing the ability to understand their true natures. In other words becoming too identified in their role.
This is a lesson to be learned well and a truth that can alter both individuals and social systems. When Shakespeare in Hamlet has the character Polonius say, “This above all: to thine own self be true, and it must follow, as night the day, thou canst not then be false to any man,” the playwright references Hamlet’s tragic flaw—a great man’s failure to be true to that which he knows is his authentic self. We fool ourselves by our playacting, but deep within we constantly hear voices that keep us aware that something is not resonating with our inner selves when our pretenses are displayed to others. These voices are the spirits subtly reminding us that we are making unnecessary choices to not display our true natures. The spirits know that this inner self is the better self and that if we can discover and exhibit the perfect being that lies within us than we and all around us will be the better for it.
I have spoken and written often of the need for alignment—the positioning of all things in the universe in their proper and true orientation that allows for the ascendancy of humankind into a oneness with the cosmos. The first effort in achieving this cosmological alignment is to look within and discover our true selves and align our actions and behaviors to this factual reality of ourselves, the first form of our essence that was imparted to us in our beginning but which we may have distorted by denying its existence or failing to see its truth. The achievement of this inner alignment will immediately begin to alter the universe because the cosmos awaits us. The universe waits patiently in its perfection and harmony for humans to discover their true natures and recognize that their assumption that they are separate entities is an artificial construct and a personal deception.
Once we have overcome these artificial barriers of separate identity, we flow freely into an accord with the universe and realize that our lives hold more meaning because we are the universe and we are one with the cosmos. This is the ascendancy to which I have referred often. It is not physically being caught up into the heavens but unifying with the essence of existence and ascending to a higher plane. It is available to all of us. I believe that we are at a critical moment in human history that was predicted by many indigenous cultures in their primal understanding of being in unity with their world and seeing themselves as in harmony with an environment that provided for their needs and that they in turn had a responsibility to nurture and protect.
When we in the Western World began to believe that we were the masters of our environs and that we could mindlessly extract the bountiful resources of the earth and deplete the natural assets without regard for our dependence on a clean and healthy environment, we disrupted the natural harmony of life that we participated in and broke the natural state of interdependence that governs an innately unified system. There is a parallel between this larger scheme of things and our internal being. Being true to ourselves means to understand that we have access to bountiful resources within ourselves when we are in harmony with our true essence and this inner harmony allows us to come into congruence with the universe. If we act out our pretend natures we disrupt this harmony and our true selves are denied.
Let me extend my allusions to Shakespeare with one additional reference. In the final act of his tragic life, Macbeth delivers the following soliloquy:
Tomorrow and tomorrow and tomorrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays have lighted fools
The way to dusty death.
Out, out brief candle!
Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more: it is a tale
Told by an idiot, full of sound and fury,
Macbeth is defeated and his ambition has caused him to act in ways unnatural to his noble nature. His life has been one of failure and mistaken action. His analysis of life in his speech is to the life that he has wasted and the missed opportunity to have been true to his potential for greatness. We too may strut and fret upon the stage and end signifying nothing or we may look deep within ourselves and discover the greatness that resides within our reach if we, unlike Macbeth, discover our true self.
The spirits have made it clear that we must recognize that we often fool ourselves by acting out roles that we imagine to be true but are not reflective of our true nature. We possess the power to make a dramatic shift to a different way of being and in ascendency with a universe of oneness. In the drama that is our life, we must remember that we are not only the actor, but also the playwright, the director, and the set designer; we have the ability to create a true and meaningful performance for the ages—one that is real and wonderful.